1. Drafting the Vision

The process begins with a precise pencil sketch on paper, establishing the geometry and theology of the scene before it touches the wood.

3. The Chalak Base (3 Days Curing)

We apply the "Chalak" (bole base) to the areas that will be gilded. This crucial layer requires a strict 3-day drying period to ensure the gold adheres flawlessly.

5. The Underpainting

Two foundational layers of color are applied over the sketched areas. This seals the drawing and sets the tone for the intricate work ahead.

7. Proplasmos of the Garments Garments

We lay down the Proplasmos (the dark base color) for the garments. In Byzantine art, we always paint from darkness into light.

9. Proplasmos of the Flesh

The base color is applied to the hands, face, and any exposed skin, acting as the foundation for the spiritual expression of the saint.

11. Inscribing the Name & Framing

The saint's name is traditionally inscribed, officially identifying the icon. The borders and final framing details are polished.

2. Transferring to the Board

The drawing is carefully transferred onto a specially prepared wooden board, carving the foundational lines of the icon.

4. 23K Gold Gilding

Genuine gold leaf is painstakingly applied to the chalak base, symbolizing the uncreated divine light of heaven.

6. Background and Halo

The background colors are filled in, and the halo the symbol of sanctity is refined and outlined around the saint's head.

8. Illuminating the Garments (3 Levels)

Three distinct layers of highlights are added to the garments, building dimension and bringing movement and life to the fabric.

10.Illuminating the Face and Hands

Through three delicate levels of lighting, the face and hands are sculpted out of the dark base. This is the most crucial step, revealing the soul of the icon.

12. Curing and Varnishing

The completed icon must rest and cure for a minimum of two weeks. Only then is the protective varnish applied, sealing the colors for generations to come.